Marketing Lessons From American Idol


Screen shot 2010 05 26 at 4.11.20 PM 300x225 Marketing Lessons From American Idol

The world's biggest focus group

As American Idol winds down its season tonight and bids adieu to its most formidable long-running participant, this is a great opportunity to put the spotlight on the show and what it can teach us about social media. AI actually predates what we’ve come to think of as social media by several years, but its overwhelming success is founded on many of the same principles that govern brand marketers every day.

Every week the viewers of American Idol comprise the world’s largest product development focus group. While it’s easy to focus on it as a Survivor-style game show, it can easily be forgotten that AI’s real purpose each season is to discover and groom a new pop artist for the show’s owner, which just happens to be an entertainment conglomerate. Sure, the judges will try to guide audience response, but AI fans can name numerous occasions when the vote didn’t go the way the judges wanted.

The audience’s buy-in is another peculiar element of the show.  By encouraging participation, the audience has an emotional stake in the winning product before it even launches. What marketer wouldn’t love that?  The product (in the form of a pop singer’s debut album) arrives mere months after the show’s finale with little risk to the record company, certainly compared to sending out A&R people meant to guess what The Next Big Thing might be.

There are also inherent danger in letting the audience take control.  For me, the most frustrating aspect of reality competition shows is the lack of clear rules to the game.  Without standards or ideals to apply, the audience – and sometimes the judges – can become confused over what exactly they are judging, especially for something as qualitative as ‘pop stardom quotient.’

The result can be a mess: sometimes ingenius in its preferences (Kelly Clarkson, Carrie Underwood), other times selecting dud winners that offered only short-term satisfaction (Ruben Studdard, Taylor Hicks).  It’s the noisy American polity celebrated by DeToqueville writ large.

That’s appropriate for something called American Idol.  Is it right for your product?

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